CV-152MP

Active two-way 15″ stage monitor in a low-profile wedge with tight pattern control and high gain-before-feedback — engineered to cut through on loud stages. Onboard DSP gives you tuned monitor presets out of the box.

126 dB

Max SPL

15″

LF Driver

900 W

@ 8Ω

60×40°

Dispersion

Request a quote $1,490 ex. VAT

Full specifications (datasheet)

Type	Two-way monitor system
Frequency response	48 Hz – 18 kHz (±3 dB)
Directivity index (DI)	12 (+2 / −2), 1.2–16 kHz
Power handling	450 W RMS / 1800 W peak
Power amp	900 W / 8 Ω
Sensitivity	98 dB (1 W @ 1 m)
Max SPL	126 dB (peak @ 1 m)
LF section	15″ woofer, 3″ voice coil
HF section	3″ compression driver, 3″ titanium diaphragm
Nominal impedance	8 Ω
Output section	2-channel
Dispersion	60° H × 40° V
Connectors	2× speakON NL4MP (1+, 1−)
Finish	Textured paint
Dimensions (W×H×D)	29.5 × 15.7 × 20.5 in
Net weight	76 lb
Gross weight	85 lb

✓ Confirmed from the CV-152MP manufacturer datasheet

Stage Monitor · CV-152MP

The show is decided on stage

If the artist can't hear, nothing out front matters. The monitor is the most important box in the building.

Front-of-house gets the applause. The monitor gets the performance. The CV-152MP was voiced for the one job that can't be fixed in the mix — putting a musician inside their own sound so completely that they stop thinking about the wedge and start thinking about the song.

Gain before feedback, by design

A monitor lives on a loud stage, inches from open microphones. Its pattern is engineered to keep energy on the performer and off the mic capsules, so you find the level the band needs long before the room decides to ring. More usable gain means a louder, cleaner mix with headroom to spare.

Low profile, on purpose

The shallow wedge angle aims sound up into the ear, not the knees, and stays out of sightlines for the audience and the camera. On a stage measured in centimeters, geometry is a feature.

"A great monitor disappears — the artist only hears themselves."

Coaxial-style loading keeps the sound arriving from a single point, so as the performer moves the tone stays put. Onboard processing lets an engineer tune each mix fast and repeat it night after night.

TSF Engineering — System Notes

CV-152MP

The show is decided on stage

Gain before feedback, by design

Low profile, on purpose

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